Building a Mystery Part 1 - Character and the Cozy

Building a Mystery - Part 1

Character and the Cozy

I've been a professional writer for quite a while, though my career as a published mystery author is just beginning. One thing that writing romance novels does for the writer, is it forces them to focus on character, the heart of any romance worth reading.

So I look at my eleven years writing historical romances as training ground for my career as a mystery author. For some readers, character may not seem an important part of a genre that can coast along nicely on a gripping plot, good action, and a believable murder investigation. But I guarantee this: if you think of the writers you like best, you'll find that they created at least one, and probably more, memorable characters.

Think of a protagonist who stumbled into private investigation when her lone wolf nature got her evicted from the police force of a small California town. As books in the series were published, we learned that she became the way she is because of her background, raised by an aunt who was not a nurterer. Sue Grafton's Kinsey Millhone is one of the iconic characters in mystery fiction, with every book giving us a little more depth, a little more insight into the quirky character.

But as a writer, how do you do that? How do you create a character that folks will not only like, but remember?

I must admit, I've thought about this a lot over the years, and if you're interested, I'll share, starting with...

What's in a Name?

Do... give your character a memorable, but not overcomplicated or difficult to pronounce in your head, name. If your character's name is pronounced 'Peter' don't spell it 'Peetyre' and expect folks to get it. The exception is if you are setting your mystery in a country where spelling of names is formalized and important to get right. If your character is Welsh, then Dafydd for David is correct, but give your reader a shot at pronouncing it right. Give a pronunciation key in some way, and repeat it in every book in which the character appears. Real-life Canadian singer Damhnait Doyle's Irish name is interesting, but I can never remember that her first name is pronounced 'DAV-net'. Maybe I will, now that I've made a point of it in my head. She's a real person, and the name is cool, but I wouldn't go out of my way to give a character such a complex name. Look at Kinsey Millhone... easy to remember, easy to pronounce.

Don't... give your character a stupid name that distracts from the character. This is somewhat a personal prejudice, but hear me out; I have a reason for disliking cutesy names like Kitty Katz, or Lily Gardener. As tempting as it is, if that character is going to stick around beyond one book, it is a turn-off for me, as a reader, if I'm rolling my eyes every time I read the character name. And it's bad for the eyes. I'm not against unusual names; far from it. After all, I named a central character in my Vintage Kitchen Mystery Series 'Valetta Nibley'. But if you feel a compelling urge to name someone Baby Druel, or something equally horrendous, go on... I dare you!

I have lots more to say, but I figure I have time. Tune in next time for more on Character and the Cozy in Building a Mystery - Part 2    

Real-Time Blogging

For me, reading a new mystery series is often as much about the people as the mystery... I like to follow them from book to book and learn about their lives as well as try to solve mysteries with them.

So, in light of that, I'm experimenting at Killer Characters over the next few months... follow Jaymie Leighton in real time as she lives her life in the months leading up to the launch of my first Vintage Kitchen Mysteries book, A Deadly Grind, in May of 2012.

My characters blog on the 21st of every month... find out what happens next on December 21st! I'm not sure if she'll be blogging, or if someone else will step in and blog for her.
Killer Characters: http://www.killercharacters.com/2011/11/winds-of-november.html

Building a Mystery

I have been thinking a lot, lately, about what goes into a successful mystery series. Some of the questions I've asked myself have to do with character, plots, setting, complications, conflict, etc. As the title of this entry says, ultimately, I've been considering what goes into building a mystery. (That's also the title of a Sarah McLachlan song, FYI!)

So I thought I'd do a 'miniseries' of blog entries on my own particular approach to planning and writing a mystery series. This is as much for my own benefit, as for anyone else's. I think it helps to pause every once and a while to look at how you do things and figure out if the approach is working for you.

I'll say right up front, for real advice on how to write a mystery, go to one of the fabulous books or sites for help. I'll do a little research and come up with a list for you. This is more my own, weird, eclectic, peripatetic, wandering, willful way of going about building a mystery series.

Some topics will be:
1 - Where Do I Begin? How I start when I'm planning a series.
2 - Character. How do I decide who my protagonist will be, as well as peopling the world.
3 - Place. Where to set the series?
4 - Will It Fit? Do all of the aforementioned things work for the kind of mystery I'm planning?

And anything else I think of as I'm going along.

If you have any questions, chime in!!

Writing Inspiration - Reading for Writers

Do you read while you write?

That's a question I'd like to ask all the other mystery writers out there.

Time is a factor, or course. When I'm in the midst of writing a book, sometimes all I have time to do is write. My only reading is confined to research, and I collapse at the end of a long day, staring at the idiots who inhabit Reality TV-Land, as they squabble about their tiny lives.

But right now I'm working on the planning of a new series. I don't take that lightly; I believe that the planning stages are what will sustain you through the series, every layer you plan adding to the depth of your characters. I'm cautiously optimistic, but there have been some bumps along the way. Then who should come along to help me out, but Dame Agatha herself!!

I'm serious! 

I read Agatha Christie's Secret Notebooks... no, not the actual notebooks, but the book by John Curran. What I found was, while reading the book I was reminded of all the many methods writers have to conceal evidence, misdirect, and mislead. No one was better at that than the Queen of Mystery herself! I am not lifting any of her methods or tricks, but reading through her thought processes (weird how familiar the notes feel, sometimes; I can see her thinking things through on paper, like I do. Too bad I will never achieve her level of brilliance!!) illuminates a path that all mystery writers must tread, eventually. How can we successfully conceal the perp and his or her motives from the reader?

But lately I started reading Roberta Isleib's 'Asking for Murder', one of her advice column mysteries. And darned if it didn't have the same affect, but in a vastly different way! If you've never read the series, I urge you to pick up the books, starting with the first one, Deadly Advice.  

Here's what I've figured out, about why her book has triggered such a flood of creativity. A truly great mystery writer inspires me, reminding me that while any mystery novel is of course, ultimately about the mystery, at its core a mystery novel is also about the affect of trauma on the human heart, and how the investigation is inevitably cluttered and complicated by the secrets of the soul, the rich interweaving of human experience that is both our glory and sometimes, our downfall. It's all about the people, and their interactions.

I do so loooove writing mysteries!

Writing in a Vacuum

No, not a Hoover.

Speaking of old vacuums, just for a moment. Long ago when I was in my first apartment, I got from somewhere one of those hideous old heavy cannisters, you know the ones. The design was actually beautiful; it had a teal steel body and fabric hose and lots of chrome. Trouble was, it didn't suck. It actually left MORE dirt on the carpet than when I started.

But that's not the kind of vacuum I'm talking about.

I've been super fortunate in signing a three book deal for the Vintage Kitchen Mysteries, and I am now writing book 2, working title Bowled Over. I'll have book 3 done by the end of the year. Now, writing a series, when you are carrying the same main characters all the way through, requires a character arc, some kind of logical progression in the characters' lives. I love that part of the job.

However... it is very much about writing in a vacuum. I have almost zero input from others on how the characters work. All I can do, at this point, is make their lives logical, interesting and move them forward.

So... what is important to you, as a reader, or writer, about the character arc in your favorite mystery series? When there is a love interest, do you want the love to move forward quickly, or do you not want a resolution too quickly? What about love triangles... love them or loathe them?

I'm interested!

New Killer Characters post: The Glorious Fourth!

Hi all... I'm deep in final edits for Bowled Over, Book Two of the Vintage Kitchen Mysteries series, and it covers the Fourth of July. I'm looking up vintage potato salad recipes, and my characters are watching fireworks, among other things, soooo... you will understand this next bit!

Come on over to Killer Characters today, where Jaymie Leighton discusses the different way Canadians and Americans celebrate their countries' birth!

http://www.killercharacters.com/2011/06/planning-for-glorious-fourth.html

Stages and new mystery series...

Book 1 of my shiny new Vintage Kitchen Mystery series, A Deadly Grind, will not be published until May of 2012. For me, ADG is at the stage where I know so much about it (in fact, I'm done the first draft of Book 2 - Bowled Over) that I'm excited for other people to read it, to see if they like it as much as I do! I'm like a parent, I guess... will you all like my special little snowflake? I hope you do.

Writing is all about stages. I'm at a completely different stage with another series that I am planning, a historical mystery series that has me so excited I can't sleep at night. I'm at the very beginning, peering at it through the pearly haze of dawn and hoping it will be all I want it to be. I know some writers don't feel this way, but planning a new series is like... well, it's like seeing a bright, shiny gift under the Christmas tree and wondering what's in it. Do you remember that feeling? Remember dreaming about what's in that gift? Is it all you hoped for, you wonder? Will you unwrap it and gasp in glee? 

As the days go by, I make new discoveries about the series. I haven't rushed it, which is how I approach opening gifts, first untie the ribbon, then remove one maddening piece of tape at a time to preserve the pretty wrapping paper. 

But then, I tend to do the same with a new mystery series that I am thinking of diving into as a reader. I like to look around, find something I'm interested in, tiptoe toward it and look it over. How about you? Do you look for new series, then be sure to get Book 1, so you'll have the story from the beginning? Or do you dive in wherever you find a book that hooks your interest, then go back and get the others if you like it?